Genre Research: Kidnap (2017)

  There is a multitude of angles, movements, and shots in this featured film. Considering that many movies use a lot because they are very long in time length. I have seen establishing shots of where scenes will take place, and especially close-ups of character's faces to get their reactions. Two and three-shots are involved in the beginning, however, progressing more into the plot, there are extreme closeups of many objects, including the eyes of the mother, who is in panic and in tears. Some movements in this thriller would be rapid camera motions, such as flash pans when the mother is trying to look for her son. In order to make most of the scenes intense, there are tracking shots of the mom chasing the kidnapper and trying to retrieve her son. For more than half of the movie, the main character is pursuing to catch the child abductor in her car. Aerial shots of this chase are displayed in order to show what is happening on the highway from a different perspective.

        Costumes are ordinary, casual clothing for the mom and other people in a public setting; kidnappers are in sketchy outfits, for example, hoodie and sunglasses, trying to conceal who they are. For most of the movie, there is natural lighting, but at the point where the mom finally finds her child, it is at night, in low to no light. At some point in the film, there is dim light when the cars go into a tunnel. The setting is in a small town but later turned into a car chase on the highway to a location ending up in the woods. Weapons, phones, even a toy that records sound are used as props in the movie.

        Moving into sound, the producers added incidental sound to go along with the mood portrayed in the scenes. The music is very intense, making the audience be at "the edge of their seats." The diegetic sound is very unique because only certain sounds become louder as the scenes are becoming more intense. When she is driving and gets into a crash, the scene goes silent since she is in shock. Dialogue appears throughout the whole movie as well. For editing, flashbacks are included, such as a montage of the son and pictures of his childhood. Related to the flashback would be when the mother is listening to the conversation of the kidnapper and her son (before kidnapping takes place), and it keeps crosscutting from the conversation to her listening to it on the device. There are eye-line matches of the main character searching for something in her surroundings, then it cuts to the next clip of what she is looking at.

        Thrillers are described based on the moods they elicit, which would usually cause heightened feelings, such as excitement, suspense, and anticipation/anxiety. With the movie 'Kidnap,' it invokes anticipation during the entire movie. Most likely causes a "rollercoaster of emotions" to the audience by incorporating as many camera movements possible to confuse, and sound to make scenes dramatically intense. Some elements that appealed would be the situations that the mother would run into, in order to keep the movie interesting, and leaving the audience to overwhelmed as to what will happen next. The action in this movie is very entertaining because it portrays how a mom will not stop at anything in order to get her child back, safe and sound. The only element that was not favored in this film was how long the chase took in order to find her son. The rising action was when she finally stopped the chase, but in order to really get her son back, the mother had to keep looking for the location her son was at. The climax was when she finally found him and other children, and how she would be able to escape safely.